Visual Paranoia in Rear Window, Blow-Up and The Truman Show

Auf Lager.
  • Produktbeschreibung

    Visual Paranoia in Rear Window, Blow-Up and The Truman Show

    Against the backdrop of recent postmodern discourse on cultural theory, Eva Schwarz provides a gripping analysis of the concept of what she describes as visual paranoia. Her study is based on a detailed analysis of three films: Alfred Hitchcock s Rear Window (USA, 1954), Michelangelo Antonioni s Blow-up (GB, 1966) and Peter Weir s The Truman Show (USA, 1998). The starting point of all three analyses is the representation of the postmodern media and information age as an incisive culture of the visual, which coincides with the general socio-political trend of cultural paranoia, the roots of which are to be found in American politics and society of the late 1940s and which has since permeated Anglo-American culture.§The discourse on the truthfulness of images, the reality of visual representations and the visual as such forms the context out of which the theory of the development of visual paranoia arises. While other paranoia films, usually thrillers or science fiction films, concern themselves with the sociopolitical manifestation of cultural paranoia, the three films chosen for Schwarz's study focus on the fundamental crisis of the visual as such, from scopophilic paranoia in Rear Window to photographic paranoia in Blow-Up, culminating in the scopophobic manifestation of visual paranoia in The Truman Show.§The once valid saying, "seeing is believing", can no longer be taken for granted. In postmodern times, the visual cannot be trusted any more.
  • Zusatzinformation

    ISBN / EAN
  • Sie könnten auch an folgenden Produkten interessiert sein

    Art.Nr. 799472

    Piper.05184 Timmerberg.Tiger

    Art.Nr. 805513

    Ganteführer-Trier,A.:Kubismus.25 J.T.

    Art.Nr. 1090566

    Zach:Morbus Dei: Inferno

  • 0 Kundenmeinungen

    Schreiben Sie selbst eine Rezension

    Ihre Meinung interessiert uns – und hilft anderen Kunden bei der Auswahl.